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Spectacle Percussion / Arts visuels et numériques – Percussion / visual and numeric Arts

Thierry Miroglio


This project presents a performance which is joining solo Percussion, Visual and Numeric Arts.
The program, decided with the organizer, proposes premieres by representative composers a.o. new pieces by Manoury and Dufourt, Saariaho, Fedele, Risset, Stroppa, Nodaira, Unsuk Chin, Teruggi, Jolas, Morciano, Eötvös, Schneller, Xu Yi, Rivas, J.M. Fernandez, Mantovani, Grisey, Mochizuki…works dedicated to the interpreter.
Possible focus on specific thematic up the wishes of the organizer (like focus on Asian composers realized at the last Venice Biennale, commissions of new pieces , multimedia program with visual artists or with Literature / Poetry…).
The project includes the soloist and possibly one sound engineer , responsable of electronics and video.This option is depending of the chosen program ( also possible acoustic pieces ) and the possibility for the organizer to provide a person with the same qualifications.

The participation of a soloist dancer and/or an actor could be also a possibility, if there is an interest to this direction like the realization of masterclasses for interpreters, composers…
The performance can be adapted to different kind of spaces with the presence of a light scenography if the place allows it.


Ce projet présente un spectacle qui réunit Percussion solo, Arts visuels et numériques.
Le programme, conçu en lien avec l’organisateur, propose des créations de compositeurs majeurs,
parmi lesquels de nouvelles oeuvres de Manoury et Dufourt, Saariaho, Fedele, Risset, Stroppa, Nodaira, Unsuk Chin, Teruggi, Jolas, Morciano, Eötvös, Schneller,Xu Yi, Rivas, J.M. Fernandez, Mantovani, Grisey, Mochizuki…pièces dédiées à l’interprète.
Il est également possible de construire un tel spectacle autour d’une thématique spécifique comme par exemple celui donné récemment avec les créateurs asiatiques dans le cadre de la Biennale de Venise ou encore de commandes de nouvelles pieces, programmes avec littérature et poésie…

Le projet inclut le soliste et la présence d’un ingénieur du son, responsable de l’électronique et video. Cette option dépend du programme choisi ( pièces acoustiques aussi envisageables ) et la possibilité pour l’organisateur de disposer d’une personne avec les mêmes qualifications.

La participation d’un danseur soliste et/ou d’un récitant peut également être une direction choisie.
Aussi le spectacle peut être adapté à différents types d’espaces avec une scénographie Lumières si le lieu le permet.


Since several years Thierry Miroglio is realizing a brilliant solo career.where he is invited to give in forty countries recitals and solo concerts in numerous venues and prestigious Festivals such as Salzburg, Philharmonie Berlin, New York, Wien Konzerthaus, Boston, Besançon, San Francisco, Munich, Schleswig Holstein, Madrid, Rom, Tokyo, Milan, Zagreb, Nice, Köln, Paris, Hamburg, Athen, Sao Paulo, Lisbon, Hong Kong, Buenos Aires Colon Theater, Genève, Brugge concertgebouw, Bucarest, Peking, Amsterdam, Linz Brucknerhaus, Rio, Darmstadt, Helsinki, Johannesburg, Mexico, Seoul, Shanghai, Moscow, Biennal of Venice … ?Thierry Miroglio is one of the very few percussionists in the world to realize such a high level of solo activity, which includes a repertoire of more than 400 works (solo and concerti). ?He has collaborated with many different studios of electroacoustic music research (Ircam, Grm, Keams Seoul, Eamc Shanghai, Beams Boston, Cemc Peking…), and gives recitals which join music, Visual and Numeric Arts, and other artistic forms such as Theater (S.Monfort) and Dance (J.Cl.Gallotta, Trisha Brown). ?Numerous international radio and television stations have recorded his concerts, or realized productions and recordings with his participation (recently the Saarbrücken German Radio dedicated him one broadcasting). In January 2016 appears the new one by Naxos.?Professor of percussion at the Conservatory Darius Milhaud in Paris, vice president of french section ISCM committee, director of percussion collection at Jobert Editions (Paris), Thierry Miroglio gives masterclasses, lectures and seminars about contemporary percussion in many countries. He founded, as Artistic Director, the “International Meeting of Percussion”, is organizing the « Nuits de la Fondation Maeght » in St Paul de Vence as artistic advisor.?For several years, he has worked in collaboration with such composers as Cage, Berio, Saariaho, Fedele, Ohana, Risset, Stroppa, Taira, Denisov, Donatoni, Boucourechliev, Nodaira, Unsuk Chin, Teruggi, Giraud, Hersant, Melchiorre, Ager, Stahmer, F.Miroglio, Stanhke, Chengbi An, Barrière, Shimazu, Xiaofu Zhang, Grisey, Ferneyhough, Mochizuki, Manoury, Jolas,Dufourt .. giving premiere performances of their pieces, many of which are dedicated to him.?He has recorded many CD’s as a soloist for various international labels, including a CD devoted to solo works, published in the Collection “Musique Francaise d’Aujourd’hui”, a coproduction of Radio France, Sacem and the French Ministry of Culture, a CD devoted to dedicated works by Saariaho and recently The World of Percussion by Naxos.?Among other his important activities we can notice the premiere of the last work by Iannis Xenakis for solo percussion and ensemble,world premieres of different percussion concerti by Marlos Nobre, Regis Campo, Enrico Correggia, Hans Tutschku, Francis Miroglio, Petros Korelis, Joyce Tang… national premieres of Darius Milhaud, Andre Jolivet concerto with numerous orchestras like Sao Paulo State Symphony OSESP, Comunidad Madrid, Sinfonica Nacional Brasil, Nazionale del Lazio/Santa Cecilia Roma, Encuentros Buenos Aires,, National Paraiba, Ensemble 2E2M Paris, Orchestra del Trentino, National Goias , Les Solistes de Monte Carlo, Macau String Orchestra, Ensemble Orchestral Contemporain, Taoyuan new Philharmonic, national Colombian Orquestra, Hong Kong City Chamber… ?Thierry Miroglio pursued percussion studies with the eminent soloists Jean-Pierre Drouet and Sylvio Gualda, with whom he obtained a first Prize at the National Conservatory of Versailles. He also pursued studies in musical acoustics at the Sorbonne with Iannis Xenakis. He studied harmony and counterpoint, and received First Prize for chamber music at the National Conservatory of Boulogne-Billancourt. ?He is working in close collaboration with the world well-known Cadeson instruments Taiwan, with whom he is playing.




Création contemporaine

Repertoire secondaire

Création contemporaine



Nombre d'artiste sur scène



Mise en espace, Présence arts visuels, arts numériques (électronique temps réel ), scénographie


Vidéo-mapping, Danse , Texte/Poésie possible





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